Sluter, Well of Moses Claus Sluter (with Claus de Werve), The Well of Moses, 1395–1405 (calvary finished 1399, prophets 1402–05, painted by Jean Malouel c. 1402), Asnières stone with gilding and polychromy, slightly less than 7 meters high, originally close to 13 meters with cross.

Apr 8, 2021 Sluter, Claus 1395/1405. ContextBookmark this section. This artwork is part of the collection entitled: ARTsource and was provided by the UNT

1402), Asnières stone with gilding and polychromy, slightly less than 7 meters high, originally close to 13 meters with cross. Located on the grounds of the former Chartreuse de Champmol, a Carthusian monastery in Dijon, France established by Philip the Bold, Duke of Burgundy. The Well of Moses was made from polychrome and gilded stone. The artwork was later painted by Jean Malouel, due to the death of Claus Sluter.

His artistic genius created art objects that are still seen today in Dijon, France and his greatest creation was the Well of Moses (Moses Fountain). The Well of Moses is a monumental sculpture by the Dutch artist Claus Sluter. It was made by Sluter and his workshop between 1395–1403 for the Carthusian monastery of Chartreuse de Champmol. The monastery was built as a burial site by the Burgundian Duke Philip the Bold just outside the Burgundian capital of Dijon.

Creation Information. Sluter, Claus 1395/1405.. Context.

Jul 1, 2016 This is the Well of Moses by Claus Sluter. This structure can be found in the Chartreuse (Charterhouse) de Champmol, a Carthusian monastery

С. 1395-1406. Centre hospitalier spécialisé de Dijon. Français : Puits de Moïse par Claus Sluter, vers 1396-1405, ancienne chartreuse de Champmol, actuel centre hospitalier spécialisé de Dijon.

Mar 24, 2021 - Sluter, Well of Moses - Humanities, Arts Humanities/Arts Video | EduRev is made by best teachers of Humanities/Arts. This video is highly rated by Humanities/Arts students and has been viewed 233 times.

The source of water for a stream, spring or well; a fountainhead; a wellhead.

The entire sculpture was placed on top of a fountain shaped like a hexagon. The sculpture served as a fons vitae, or fountain of life. The monastery also housed the tomb of Philip the Bold, and his family. The Well of Moses served as a site of pilgrimage when it was first erected, and presently. Claus Sluter (with Claus de Werve), The Well of Moses, 1395–1405 (calvary finished 1399, prophets 1402–05, painted by Jean Malouel c. 1402), Asnières stone with gilding and polychromy, slightly less than 7 meters high, originally close to 13 meters with cross. The Well of Moses, 1395-1406.
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ties as well as contrasts, paradoxes, and irregularities” (Coffey & Atkinson. 1996 s.47). bråk startar och de sluter sig samman i att konstatera att de själva är justare. floran av böcker för emotionell träning utan är skriven 1994 (Moses & Gor-.

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well as other discussions on the dangers that we are exposed to. It turns out that “risk” has sluter man denna typ av faktorer. Moses F, 1997. Problems and

Claus Sluter (with Claus de Werwe), The Well of Moses by Dr. Beth Harris and Dr. Steven Zucker Claus Sluter (with Claus de Werve), The Well of Moses , 1395-1405 (Calvary finished 1399, prophets 1402-05, painted by Jean Malouel c. 1402), Asnières stone with gilding and polychromy, slightly less than 7 meters high, originally close to 13 meters with cross The Well of Moses was the base for the crucifixion scene. The entire sculpture was placed on top of a fountain shaped like a hexagon.

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well as other discussions on the dangers that we are exposed to. It turns out that “risk” has sluter man denna typ av faktorer. Moses F, 1997. Problems and

limbourg januari: the Duke of Berry Claus Sluter, Well of Moses - påbörjad 1395. Chartreuse, Frankrike. - Komplext verk, vatten och skulpturer, figurer från GT. Individuella ansikten, tunga kroppar i Detail of Daniel: Claus Sluter, Well of Moses, 1395-1405. Fool from Froissart Chroniques late 15th BL Royal 14 D Statues, Historia, Trender,. Mer information. Claus Sluter,Well of Moses,Chartreuse de Champmol, Dijon, France,1395–1406.Limestone with traces of paint, three dimensions.